For this reason there is a false cast list at the beginning of the film which lists fictional people playing roles that do not exist.
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The production team intended to reveal as little about the movie as possible so as to make the conclusion a complete surprise to the audience. The likeness of actress Joanne Woodward was used for the painting of Marguerite Wyke.
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According to Shaffer, Olivier stated that when filming began he looked upon Caine as an assistant, but that by the end of filming he regarded him as a full partner. Olivier told him that it should be as "Lord Olivier", and added that now that that was settled he could call him "Larry". When they met, Caine asked Olivier how he should address him. In the end, director Mankiewicz opted for Olivier and Caine.
Alan Bates was Shaffer's pick for the part of Milo Tindle. When he finally did relent, he hoped the film would retain the services of Anthony Quayle, who had essayed the role of Wyke in London and on Broadway. Shaffer was initially reluctant to sell the film rights to the play, fearful it would undercut the success of the stage version. Laurence Olivier in his dressing room on the set of Sleuth (1972) As Milo lies dying, he tells Andrew to tell the police that it was, "all just a bloody game" he then presses the automata control box, leaving Andrew surrounded by his electronic toys as police attempt to enter. The police arrive outside and a distraught and defeated Andrew locks himself inside the house. Andrew, pushed too far when Milo ridicules his literary detective, disbelieves Milo and shoots and mortally wounds him. If Andrew kills him, he will be caught red-handed. However, Milo says he anticipated this and really did call the police, who are on their way. Milo then reveals that he faked Téa's death with Joyce and Téa's willing assistance, thus tricking Andrew a second time.Īs Milo prepares to leave, he continues humiliating Andrew with information provided by Andrew's wife and mistress. Milo is heard talking to the officers, but there are actually no police. The disheveled Andrew pleads with Milo to stall them while he composes himself. Andrew finds the last item just as Milo says the police are arriving. Following Milo's cryptic clues, Andrew frantically searches the house for the planted evidence. Téa's flatmate, Joyce, tearfully reports that Téa is dead. Andrew dismisses his claim, but phones Téa to be sure. Milo says he fatally strangled Andrew's mistress, Téa, and has planted incriminating evidence throughout Andrew's house. The score is seemingly evened until Milo announces they will play another game involving a real murder. As Andrew is about to be taken to the station, Doppler reveals himself as the heavily disguised Milo, seeking revenge on Andrew. After finding evidence supporting a murder, Doppler arrests Andrew. He insists he only pretended to shoot Milo using a blank cartridge and that his rival left humiliated but alive and unharmed. Andrew purports to know nothing, but as the inspector collates incriminating clues, Andrew breaks down and explains the burglary hoax.
Andrew then appears to fatally shoot Milo.Ī few days later, Inspector Doppler arrives to investigate Milo's disappearance. At the conclusion, Andrew pulls a gun on Milo and reveals the bogus theft was merely a ruse to frame Milo as a burglar so he can kill him. Milo agrees and Andrew leads him through an elaborate scheme to fake a robbery. To provide him the means to support her, Andrew suggests that Milo steal some jewelry from the house, with Andrew recouping his losses through an insurance claim. He invites his wife's lover, Milo Tindle, a London businessman, to his home to discuss the situation and would like Milo to take his wife off of his hands.
Andrew Wyke, a successful crime fiction author, lives in a large country manor house filled with elaborate games and automata.
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